Mario DiGirolamo, Entering the Eternal City, Rome, 1958
(thanks to doegewooniets)
Rodney Smith, Untitled, Leaning House, 2004
Andrei Tarkovsky, Still from Nostalghia, 1983
Theodore Blanc and Antoine Demilly, Les quais, Lyon, 1940-1950
Pierre Dubreuil, L’Opera, 1909
One must learn to love. — This is what happens to us in music: First one has to learn to hear a figure and melody at all, to detect and distinguish it, to isolate it and delimit it as a separate life. Then it requires some exertion and good will to tolerate it in spite of its strangeness, to be patient with its appearance and expression, and kindhearted about its oddity. Finally there comes a moment when we are used to it, when we wait for it, when we sense that we should miss it if it were missing; and now it continues to compel and enchant us relentlessly until we have become its humble and enraptured lovers who desire nothing better from the world than it and only it.
But that is what happens to us not only in music. That is how we have learned to love all the things that we now love. In the end we are always rewarded for our good will, our patience, fairmindedness, and gentleness with what is strange; gradually, it sheds its veil and turns out to be a new and indescribable beauty. That is its thanks for our hospitality. Even those who love themselves will have learned it in this way; for there is no other way. Love, too, has to be learned.
Friedrich Nietzsche, 334, Book Four, The Gay Science. (thanks to seeyoulateraggregator
André Kertész, March 25, 1979
Tim Gidal, Hamburg Red Light District, 1929
Brassaï, Lighting the Lamps, Place de la Concorde, ca. 1932-1933